gvsong

Music engine for the Game Boy Advance written in gvasm assembly. Includes a CLI tool for rendering songs at high-resolution and generating test GBA ROMs.

Install

You'll need to install deno on your operating system.

Then run:

# install the latest release of deno
deno upgrade

# install the latest release of gvsong
deno install -g --allow-read --allow-write -f -r \
  https://raw.githubusercontent.com/velipso/gvsong/main/gvsong.ts

If this is your first time running deno install, you will need to add the deno binary directory to your path. See the page on deno install for more information.

In order to upgrade, simply run the above command again -- it will redownload the latest version and install it.

Run the tool via:

gvsong --help

Usage

gvsong render demo/song0.sink

This will create demo/song0.wav, which is a high-resolution version of the song, useful for testing and soundtracks.

gvsong gba demo/song0.sink

This will create demo/song0.gba, which can be loaded in an emulator or flash cart. It uses the sound engine to play the same song.

gvsong image demo/song0.sink

This will create demo/song0.png, which draws the notes to a piano roll.

gvsong make demo/song0.sink

This will create the binary demo/song0.gvsong, which can be embedded in a game using the sound engine.

Song Source Format

Source files use a modified version of the sink scripting language. Read this tutorial for more information on the sink language.

That being said, writing a basic song doesn't require much knowledge of sink. A song will have the basic structure:

include 'gvsong'

gvsong {
  // instruments
}, {
  // PCM mapping
}, {
  // sequences
}, {
  // patterns
}

An instrument defines a wave type (square, triangle, etc), volume envelope, and pitch envelope. A song can have up to 64 instruments.

A special PCM instrument exists in order to play samples directly (like kick or snare drum samples). The PCM mapping will map the 120 notes available to a PCM sample index. Use zero to set the entry to silence.

A sequence is just a list of pattern numbers, and a loop point. This defines what order the patterns are played back. A song can have up to 255 sequences.

Patterns are the basic building block of a song, and define the notes played back on each channel, and any effects. A song can have up to 65535 patterns.

Instruments

An instrument consists of a wave type, volume envelope, and pitch envelope.

A wave type can be:

Type	Description
wave.rnd	Random noise
wave.sq1	Square wave (1/16 duty)
wave.sq2	Square wave (2/16 duty)
wave.sq3	Square wave (3/16 duty)
wave.sq4	Square wave (4/16 duty)
wave.sq5	Square wave (5/16 duty)
wave.sq6	Square wave (6/16 duty)
wave.sq7	Square wave (7/16 duty)
wave.sq8	Square wave (8/16 duty)
wave.tri	Triangle wave
wave.saw	Saw wave
wave.sin	Sine wave
wave.ds1	Distorted triangle wave
wave.ds2	Distorted square wave

An envelope is a list of values per frame, with optional LOOP and EXIT markers.

The volume envelope values should range from 0 to 16.

The pitch envelope values should range from -128 to 127. There are 16 steps between notes, so bending up a perfect fifth would be 112 (7 * 16).

Example:

include 'gvsong'

gvsong {
  // instruments
  { // I01 Square 50% duty

    // wave:
    wave.sq8,

    // volume envelope:
    {16, 15, 14, 13, LOOP, 12, 11, EXIT, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1},

    // pitch envelope:
    {0, 0, 0, 0, 0, 0, 0, 0, LOOP, 0, 1, 2, 1, 0, -1, -2, -1, EXIT, 0}
  },
  { // I02 Hat
    wave.rnd,
    {16, 14, 12, 10, 8, 6, 4, 2},
    {}
  }
}, {
  ...

When a note is played, an envelope will march through the values once per frame. The LOOP and EXIT locations aren't values -- they are markers.

If the note is held down long enough, when the EXIT location is passed over, the envelope will loop back to the LOOP location.

For example, the square wave will use the volume envelope: 16, 15, 14, 13, 12, 11, 12, 11, 12, ... and keep repeating (12, 11) until the note is released. Once released, the envelope will continue over the EXIT without looping.

One thing to notice is that instruments start counting at I01 (ranging from I01 to I64, decimal). This is because there is a special instrument I00 that mutes the channel.

PCM Mapping

The PCM map will allow you map a note to a PCM sample. There are 120 slots available (001-120).

Check the PCM directory for a list of samples included in gvsong.

include 'gvsong'

gvsong {
  // instruments
}, {
  // PCM mapping
  pcm.kick1,  // 001
  pcm.snare1, // 002
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0,       // 003-012
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 013-024
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 025-036
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 037-048
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 049-060
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 061-072
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 073-084
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 085-096
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, // 097-108
  0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0  // 109-120
}, {
  ...

Once a sample has been mapped, it can be played back by selecting the PCM instrument, and playing the appropriate note (ex: 002).

...
30  002:PCM  ---:---  ---:---  ---:---  ---:---  ---:---
...

Sequences

A sequence is a list of pattern indexes, with optional LOOP and EXIT markers, like envelopes.

For example:

include 'gvsong'

gvsong {
  // instruments
}, {
  // PCM mapping
}, {
  // sequences
  {0, 1, 2, LOOP, 3, 4},
  {0, LOOP, 1, 2, EXIT, 3, 4}
}, {
  ...

This song defines two sequences. The first sequence plays patterns 0, 1, 2, 3, 4, 3, 4, 3, 4, ... continuing with (3, 4) forever. The second sequence plays 0, 1, 2, 1, 2, ... continuing with (1, 2) forever.

The EXIT sequence will never play in a game, but it will play when rendering to a .wav or .png file.

Most songs have a single sequence, but for video games it might be useful to have slightly different sequences for different situations.

Patterns

Patterns define the note and effect data played back per channel.

Songs have 6 monophonic channels. Any channel can use any instrument, and operate independently of each other, with identical features.

It's easiest to start with an example:

  ...
}, {
  // patterns
`
//
// Pattern 0 - Setup
//
00  ---:I01  ---:I02  ---:I01  ---:---  ---:---  ---:---
00  END:060  ---:---  ---:---  ---:---  ---:---  ---:---
`,
`
//
// Pattern 1
//
00  C-4:---  ---:---  ---:E-5  ---:---  ---:---  ---:---
00  C-5:B16  ---:---  ---:---  ---:---  ---:---  ---:---
04  ---:---  C-5:---  ---:OFF  ---:---  ---:---  ---:---
05  ---:---  C-6:---  ---:---  ---:---  ---:---  ---:---
06  ---:---  C-7:---  ---:---  ---:---  ---:---  ---:---
07  ---:---  C-8:---  ---:---  ---:---  ---:---  ---:---
08  ---:---  C-9:---  ---:F-5  ---:---  ---:---  ---:---
0C  ---:---  ---:---  ---:OFF  ---:---  ---:---  ---:---
10  END:---  OFF:END  ---:---  ---:---  ---:---  ---:---
`
}

First, notice that patterns are multiline strings enclosed in backticks (`), and separated by commas.

Patterns can contain comments using // just like regular source code, and empty lines are ignored.

A pattern is a list of timestamps, notes, and effects in columns. The columns are separated by two spaces between channels.

Timestamps

The first column is the timestamp, written in extended hexadecimal, measuring sixteenth notes.

Patterns must start with timestamp 00.

Timestamps can increase irregularly, which might seem strange. For example, Pattern 1 above has multiple instructions at time 00. This alleviates the need to jam instructions on a single line -- it's okay to have multiple rows.

Also notice that there is a run 04, 05, 06, 07, 08 of sixteenth notes, but the next command is at 0C, skipping rows 09, 0A, and 0B.

Rows that do nothing (full of ---:---) will be removed automatically to save space, so feel free to use them if you want to space things out in source code.

Timestamps are always two characters. The first character is the beat, and the second character is the sixteenth note in that beat.

In order to allow more than 16 beats in a pattern, the timestamp extends hexadecimal to allow more letters for the first character.

For example, 00 is the first beat, F0 is the 16th beat, G0 is the 17th beat, H0 is the 18th beat, etc, up to ZF for the 36th beat, last sixteenth note.

Channel Instructions

After the timestamp is six instructions, one for each channel.

An instruction is divided into the note and the effect, in the format note:effect.

The note can range from C-0 to B-9, and use # or b for sharps and flats. For example, F#5 is F#, octave 5. Tuning is based on A-4 set to 440Hz.

Notes can also be expressed as a three digit decimal number, from 001 (C-0) to 120 (B-9). It's easiest to use this format when playing back PCM samples.

The note field can also contain special values: --- for no event, OFF for note off (triggering release), 000 for note stop (skipping release), and END for pattern end.

The effect field can have the following commands. All parameters are in decimal.

Command	Description
---	No effect
Vxx	Set volume V00-V64
Dxx	Set delay D00-D64 (frames)
Ixx	Set instrument I00-I64
PCM	Set instrument to PCM
Bxx	Start bend B00-B64 (sixteenth notes)
xxx	Set tempo 045-202 (beats per min)
END	End pattern

Volume

Using V00 will mute the channel. V64 is maximum volume. Channels are initialized to 50% volume, V32.

Delay

Delay is useful for creating echo effects. The delay is measured in frames, so tempo will not affect it. Delay will postpone note on, note off, note stop, and bend commands. Use D00 to disable delay.

Instrument

Instruments I01-I64 are defined by the song. Instrument I00 is a special instrument that mutes the channel.

The PCM instrument is special, and will use the PCM mapping to convert notes to samples.

Bending

Notes can be bent using B00-B64.

Note bending is unique in that it doesn't trigger a new note; instead, it initiates a bend so that the channel reaches the destination note in the specified number of sixteenth notes.

For example:

00  C-4:---  ---:---  ---:---  ---:---  ---:---  ---:---
00  C-5:B08  ---:---  ---:---  ---:---  ---:---  ---:---
10  C-4:B02  ---:---  ---:---  ---:---  ---:---  ---:---
...

C-4 will trigger at the start of the pattern, and begin bending upwards immediately. After a half a beat (at time 08), it will arrive at C-5. It will hold C-5 until 10, when it begins bending downwards. At 12 it will arrive back at C-4, and hold there. (until OFF or another note trigger).

Tempo

The tempo ranges from 045 to 202.

However, many tempos are not possible, so instead the song will pick the closest available tempo.

The actual tempos available are:

44.99	65.00	84.96	104.95	124.97	144.93	164.77	184.78
47.51	67.46	87.54	107.57	127.44	147.40	167.44	187.46
49.99	70.01	89.98	110.08	130.00	149.97	170.19	190.22
52.47	72.46	92.56	112.48	132.66	152.62	172.46	192.34
54.98	74.98	94.93	114.98	135.09	154.91	174.79	195.24
57.49	77.45	97.44	117.59	137.60	157.26	177.80	197.48
60.02	79.97	100.08	120.04	139.83	160.18	180.28	199.76
62.49	82.52	102.45	122.60	142.53	162.70	182.18	202.11

The exact formula is: 983040 / (19 * Math.round(393216 / (19 * (i + 18)))) for i ranging from 0 to 63.

So if you want a tempo of 120, use the effect 120, and the song will playback at 120.04396141164978 beats per minute.

Pattern END

The note or effect can contain END, which signifies the end of the pattern. The END row does not consume any time, and will immediately process the commands at the top of the next pattern in the sequence.

Only one END instruction needs to exist, but it's fine to have multiple END on the same line.

Be aware it is possible to create an infinite loop jumping between patterns without any note data, so don't do that! :-)